Welcome back to Artistic License, this time around, I thought I’d hop over the Marvel Universe and play with some of their characters for a bit. Also, rather than reworking heroes, I thought I’d do something with a few villains.

First, let’s take a classic, Doctor Doom. For over thirty years this guy has been wearing the same clunky suit of armor, I don’t even want to think what it must smell like. I tried a few different designs but always came back to the medieval style, in armor. Somehow, modern, "hi- tech" looking armor just doesn’t seem to have the same regal look.

Now, I happen to be fascinated by medieval armor, especially the intricate plate armor suits of the late 1400s and 1500s. When it comes to fabrication, the armorers were absolute geniuses. When you think of the tools they had to work with, the work they turned out is nothing short of amazing. One suit of armor, made for King Charles the V, I believe, has segmented joints that fit together so closely that you couldn’t fit a pin between the segments. I chose a simpler model for Doctor Doom, similar to Jack Kirby’s original almost generic design. In place of the short tunic, I used a longer tabard, the cloth-covering knights used to protect their armor from the elements, as well as display their coat-of-arms. The coat-of-arms is the direct precursor to that staple of the super-hero costume, the chest-emblem.

Doctor Doom’s trademark is not a stylized emblem, but his frightening iron mask. One problem with redesigning Doom’s armor is the mask, as much as you want to "update" the look of it, it seems that anything I did with it made it unrecognizable. In the end, I simply decided on a more "finished" design of the original mask. Rather than the hastily assembled mask of his origin, I rounded the top of the faceplate to make it part of a helmet that remains concealed by the hood. The hood itself, I made part of the tabard, so that when he hangs up the cloak, he doesn’t look so "naked". The large roundels that hold the cape to the breastplate are integral to the armor attaching the shoulder epaulets. Overall, I think I came up with a design that suits both the old-school Fantastic Four fans, and enhances Doom’s appearance, without discarding the essentials. Doom is an aristocrat, his manner and bearing is that of a king, and so he should look like a reflection of the absolute monarch of old.

If Doctor Doom is an old-fashioned conquering king, Magneto is a modern-day revolutionary. In both cases, heredity thrust each man into a position of power. In Doom’s case, a hereditary monarchy, in Magneto’s, it was a strange quirk of genetics that gave him awesome power.

I have always liked Magneto’s costume. Even with the goofy coloring flaw that led everyone to color it red and purple, now red and violet, in most instances. I have had the good fortune to have read a vintage copy of X-men #1 and it’s obvious that what was intended, in coloring Magneto’s costume, was to use the same colors used on toy magnets available to children. These little horseshoe magnets were deep gray, with the poles painted red. So, Magneto’s colors should have always been red and gray, and the gray parts were mistaken for purple, because of that dingy purple they used to use for gray.

For my design, I went through several preliminaries, all evoking the basic style of Magneto’s classic look, but in the end, I decided to go with something a bit more radical. Especially since I couldn’t bring myself to change very much in Doctor Doom’s armor.

At first, I tried reworking Magneto’s helmet. Since it is based on a classical Corinthian helmet style, I tried that, but it looked too "old", and mutants represent the mysteries and unknowable dangers of the future. So, I switched from restyling the old helmet to chopping the top off of it and smoothing out the curlicues for a sleeker, more "techno" style.

Magneto is a Holocaust survivor and it is obvious that his experiences in Auschwitz have colored his view of humanity. How liberating it must have been, that day when he realized that he was something other-than-human. How painful it would be, should he ever realize that he has taken on the attributes of the very humans whose cruelty scarred his life so deeply.


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Copyright © 1998 Joe Singleton

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