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Wet Dream, an oil painting by Jaisini, in terms of exploration of own
sexuality, dreams, or nightmares, belongs to a human traditional need for
personal revelations. The imagery of the work is of a usually Jaisinesque
theme that is not to be a statement or an illusion, but which summons the
emotions.
In Wet Dream, the feelings of morning euphoria and desire create a new
formula of early life's passion.
Jaisini delivers a high sensory level through the graduate, almost hypnotic
step by step desire awakening.
The work precedes the Reincarnation series. As in all of his paintings,
Jaisini pursues a metamorphosis of the physical and mental states. In his
works, the concept and the material are enclosed and inserted within each
other. The essential visual vehicle is in a line, that emphatically has a
life of its own and could be perceived as an automatic release. The enclosure
of the line is not only graphical, but also symbolic of the connection
between the picture's elements which await their disclosure.
In the years of cubism, Andre Masson created his series of erotic drawings.
In his works, Masson portrayed pure erotica with total absorption in the act,
orgiastic, uncomplicated, and a little banal. The lack of diversity in such a
subject matter as eroticism resulted in the Masson's scenes of pairs, trios,
or even dozens of naked women interacting in a sexual way with one another.
Masson filled these scenes with a Rubensian appreciation of the flesh and its
pleasures, the very quality which impoverishes the otherwise fruitful area of
human psyche.
Jaisini, on the contrary, uses the sensual overtones to enrich and explore
the mysterious realm of mind potential. So, instead of creating
automatically, similarly, and limited, Jaisini employs his mind to complicate
and develop the subject of desire.
In Masson's erotic series, the only sentiment is the libidinous desire.
Jaisini reflects a different time and epoch that is not satisfied with the
simple approach. Jaisini combines together the physical with psychological,
which becomes nearly a game.
The expressionistic line swirls flow in the open canvas ground and embrace
the canvas in expansive loops. The work is airy.
The artist's thought transfers line into an image of a contraposto torso with
a liplike part on the neck cut. Another female images express their physical
and emotional concerns. The bottom lean figure indicates the young age of
this female. In turn, that may explain the desperate pose for the erotic
fulfillment. The third blond woman at the upper right corner appears to be
more sexually mature. She holds a big breast that belongs to another female
with a face that has only big red lips and flowing down hair lines. Here, we
find a profile of a man who seems to sniff the aroma of the female bodies not
without pleasure. In the center, there is another gasping profile. The
curvilinear forms enhance the overall impression of a fluid movement, which
so well corresponds to the erotic sensation. A phallic finger touches a soft
pillow and charges erotic energy in all other phallic configurations in Wet
Dream.
All images link in their conscious-unconscious, figurative-abstract
condition.
The cycle of desire goes on endlessly and is at the core of human existence.
In Wet Dream, Jaisini liberates the desire from the self.
In this well born work of art the desire is taken for a model.
The work demonstrates what we know of creation to be a combination of already
existing things into newer forms. That being so, the desire of man must have
been in an endless existence and will continue to dwell in bodies and in
works of art to which Wet Dream is an example.
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