Coville's Clubhouse by Jamie Coville

An Interview With Cory Carani

Guest Interviewer, Sidra Roberts

WC Carani was the inker of Legionnaires for five years, which is where I first saw his work. I’ve run into him at several San Diego Comic Conventions. Mr. Carani is a very talented artist and very nice gentleman. As I was interviewing him at San Diego this summer, he was painting an absolutely beautiful portrait of Wonder Woman for the charity auction.

Sidra:

    How did you get interested in comicbooks?
WC Carani:
    Comicbooks are one of those things that have interested me since I was a child. I suppose I reacted strongly to the pictures. It was the visuals that always appealed to me and that was the thing that grabbed me as a child, the way comics looked. To this day, even as an adult, the thing that attaches me to comics is the visuals behind them. I’m an artist. So, I suspect that’s why I was always drawn to them, purely based on the pictures.

Sidra:

    Did you ever think as a child that you’d end up working in the comic industry?
WC Carani:
    Well, I suppose at some point as a child you think you’re going to be an astronaut, a fireman, and a lot of things. I always thought I’d be doing something artistic. Comics wasn’t a real goal until I hit high school.

Sidra:

    How does one become an inker?
WC Carani:
    Well, I suppose it depends on your aptitude. I’m really quite a craftsmen in the sense that I really like to do refined work. I have a penchant for it. Some people, I think that’s why they go into penciling; they want something more immediate. As for me, inking was always an interest because I had a good aptitude for it and it seemed to be a good road for me because it’s what I like doing. I like to paint, and in a weird way, I guess inking is sort of like painting.

Sidra:

    Is there any specific technique you like to use?
WC Carani:
    I work mainly with traditional style just using a brush. I don’t know if that’s a technique.. well I guess it is. I do all my inking in brush, that by far being my favorite way of producing any sort of drawing, really. I trained myself to draw with a brush. Granted, I do the traditional pencil it first, pencil it out and then ink it up. But I would say brush is my favorite style, because it’s similar to painting.

Sidra:

    Is there any specific type of brush you prefer to use?
WC Carani:
    I use a special tool called a color brush, and the particular color brush isn’t widely available anymore. It’s a tool that I used all through college, and now I use knock off versions of it that are widely available in Japan and overseas. They stopped making the specific one I use over here. That is my tool of choice: Its a nylon brush with a cap, and it lasts a lot longer than a regular Sable. It’s just a real sturdy tool, and I really like that.

Sidra:

    When did you first meet Jeff Moy?
WC Carani:
    I first met Jeffrey Moy in college. I think in a watercolor class that he was sitting in. I just happened through and I saw him working on a piece. He has a twin brother and I actually confused the two guys. And one day I was talking to his brother Phil about how neat his stuff was. The next day I started talking to Jeff, not realizing that they were two different guys. So I met Jeff at Northern Illinois University, in a watercolor painting room.

Sidra:

    When did you begin working with Jeff, inking his work?
WC Carani:
    I suppose officially right after college was when we started, but of course, there’s all the time we spent together in college. I think we were always monkeying around together on some little this or that or the other thing in college. Professionally, we started working together more or less from the get go. As college ended, we continued with what we’d been doing in school and took it with us right after we left.

Sidra:

    Does it ever bother you that the penciller gets more credit even though the inker’s job is more difificult and time consuming?
WC Carani:
    Not at all, I never got into this to get my name in lights or anything. That’s really not a concern.

Sidra:

    What other mediums do you like and what medium is your favorite?
WC Carani:
    I like all kinds of art. I can’t think of anything specifically that I wouldn’t mess with. I suppose you’re asking if I couldn’t be inking what would I rather be doing. I suppose I’d like to be painting. My using my illustration degree doing painted work, painted pieces.

Sidra:

    What does one have to do for an illustration degree, out of curiosity?
WC Carani:
    Your training is a little more extensive in creating things that are more realistic. You’ve got a better overall grasp of how things really are, how things really look, and more realism in your work. Of course, that can be tailored to a bunch of different things. I like illustration because it’s the one discipline that sort of involves all the disciplines. You can render things real tight and realistic and close to life, but you have plenty of room in illustration to go ahead and make things more fine art-ish, if you will. To me, it’s just got the best of all the worlds. You can take it any way you want.

Sidra:

    What’s the best part about working in the comicbook industry?
WC Carani:
    Gosh, I don’t know. I suppose the best thing about it is I get to do things that are really fantastic and things that are really fun and different. I don’t have to deal with certain things in the field that I’m in. You know when you wake up in the morning that the work you’re going to be doing is going to have superheroes, creatures and fun stuff. It’s nice that I don’t have to wake up and draw a car seat or something odd like that. I suppose that’s one of the more fun things to wake up, and know I’m going to work with Superman and Batman.

Sidra:

    What’s the most difficult thing you’ve ever worked on?
WC Carani:
    I would have to say, without too much hesitation, that the most difficult thing I ever worked on was that first thing. Everybody has some project, some first thing they worked on, and I would think that was probably the most difficult thing I’ve ever had to work on. I think that would go for anyone though, because... oh boy... you want to make it just right and perfect. Even though you know it’s going to be full of mistakes and when you look back you’ll realize how many glaring errors you’ve made. I suspect that’s the most difficult thing in retrospect.

Sidra:

    If you could work with anyone in the comicbook industry, who would you like to work with?
WC Carani:
    If I could work with anyone in the industry, quite honestly, the partner I’ve had for the past six years, Jeff Moy, is really one of the people I have enjoyed working with. We get along so well and we’ve been friends for so long that I’ve had all my wishes come true as it comes to comics. I’ve gotten to work on the comics that I’ve wanted to. As for people I’d like to work with, I’m pretty easy. I’d be happy working with just about anybody.

Sidra:

    What was the first comic you worked on?
WC Carani:
    My first work in comicbooks was for this hideous company. I’m not going to mention their name. They are out of business. It was a Chicago company, not the one people are probably thinking of. It was just awful. It was run by a guy who was just kind of...I don’t know what he was trying to do. It was a very bad experience, but we were pretty well prepared for it by our instructor Mark Nelson. We knew the comic industry was a bit sleazy at certain levels. So, we knew it was coming, and everyone’s gotta start somewhere.

Sidra:

    You worked on Legionnaires for five years. Did you know a lot about the characters before you started working on it?
WC Carani:
    Yeah, I did because when I got into comics one of the first things that I wanted to do, who doesn’t, was work on X-Men. Well, sure enough, that’s where I started. My other favorite for all those years was the Legion of Superheroes. So I went from my favorite book, The X-men to my other favorite book, Legionnaires. So yeah, I was quite familiar with the characters. I never dreamt I’d be going from one hot commodity to another.

Sidra:

    Recently you and Jeff Moy did work on the Voyager comicbook. What are you currently working on?
WC Carani:
    As we speak, I’m working on a painting of Wonder Woman. I’m just joking. Currently we’re working on the Wildstorm annual, and I believe it’s been re-titled Magic. I think it’s the debut of a character called Magic. I can’t really say I know anything about it because it’s a new character.


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