A Matter of Tradition
By Mike Solko

The Trouble with Licensed Properties

So Joss Whedon is doing a comic now. Coming this June, Dark Horse Comics is releasing Fray, the Buffy the Vampire Slayer’s comic debut. Having never watched an episode of Buffy leaves me completely unsure as to whether this is something I want to pick up or not. Looking at the cover of the latest Previews order guide a thought struck me though: "This book is going to sell through the roof."

Take a look at other television and film writers who have recently made the crossover into professional comic book writing. J. Michael Straczynski has moved from the popular television series Babylon 5 to conquering the industry. Always riding high on the Wizard top ten lists, his comics Rising Stars and Midnight Nation from Top Cow have gained much critical and financial success. Now he is taking on the Amazing Spider- Man, arguably at the most important time in the character’s history.

The most golden example of a crossover writer is Kevin Smith. Although his work on various View Askew spin-offs from his movies did fairly well, when Smith took over Daredevil it was a smash hit with fans. Now Smith has taken on Green Arrow, the first issue of which has sold over 100,000 copies and immediately went into a second printing.

While the above examples are probably already well known by most readers of this website, I’m listing them to bring up a question about these comic series. Are more of the existing comic fans reading these titles because someone from another field is working on them, or are these titles managing to draw in new readers due to the associations with other media?

Taking the first issue, the one I feel is probably the case, long- time readers feel a fascination as to what a writer from another medium would do in the comics medium. Admittedly, when Kevin Smith took over Daredevil I was wondering if the Clerks type humor would sneak in or if the work would be a more standard look at the character. I’m not a big fan of Spider-Man or Babylon 5, yet I’m tempted to check out Straczynski’s Amazing Spidey book. Maybe I’m assuming my own interest is relating too much with other fans but most of their response I’ve seen has been pretty similar. Is there something about movie and television writers that really brings an extra oomph for our buying dollar?

Alternatively, it’s likely that fans of these creators are crossing over from these other mediums and picking up their comic book work. Whether this is the actual case or not, comic companies, as well as the creators involved, would be smart to push for this. We certainly don’t seem to be bringing in enough new readers to really be a boon to the industry yet. Perhaps bringing in talent from other mediums and effectively advertising it will increase readership.

Kevin Smith’s new film Jay and Silent Bob Strike Back will involve the Bluntman and Chronic mini-series being published by Image Comics this summer, but will the fans be aware of it? Working in a video store has given me the opportunity to meet many Kevin Smith fans, but the depressing part is that so many of them are completely unaware that Smith has been involved with comics work. Imagine how much impact a brief 30 second spot before the movie advertising Bluntman and Chronic could have for the comic industry. Even if only 5 million people see the movie, and only 1/10 of them go to buy a Bluntman and Chronic comic, you are looking at 500,000 sales. The current best-selling comics are only selling in the 100,000 range. Brief spots on Bablyon 5 reruns or episodes of Buffy The Vampire Slayer could have similar results.

It’s hard to work in a hypothetical model but there is no reason these 2 fanbases shouldn’t or couldn’t cross-pollinate. Everyone is talking about how the current reader levels in comics have reached a near desperately low level. If existing comic readers are excited about writers coming in from other mediums this seems like a great way to boost sales in the short term. As far as long term sales boosts these creators provide a way to tap into other mediums and draw in fans of their other projects. We may all be fans of different things, but most of us fans are pretty similar. Give us a new project by a creator we love and it’s like shooting fish in a barrel.


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Copyright © 2001 Mike Solko

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