Coville's Clubhouse by Jamie Coville

Guest Interviewer Sidra Roberts

An Interview With Terry Moore

Terry Moore is the creator of a well-crafted book that I’m sure you’ve all heard of, Strangers in Paradise. Terry, like me, is a Houstonian, but I have to go up to a convention in Dallas to see him and to get to interview him. : ) Terry was a lot of fun to interview, and as you’ll see in the interview, he’s a really amusing guy.

Sidra:

    When did you first become interested in art?
Terry Moore:
    I had my first drawing table when I was two years old. It was one of those little kid drawing tables. It was a Christmas present and they have pictures of me drawing at it, making little comics when I was two.

Sidra:

    How did you get started in drawing comicbooks and writing comicbooks?
Terry Moore:
    I started in high school. We, me and my friends, used to draw comics to make each other laugh. We’d do one page, little vignettes, and kind of underground comic stuff just to entertain ourselves. That’s where I started working with stories, long formats, and setting up jokes. As opposed to just doodling pinups, that’s how I got started, actually. I got into the comicbook business because I’d been away from drawing for a long time and decided that was something I really wanted to do. I had a lot of failed comic strips and one day decided to stop trying to do comic strips. I took all of my original characters and put them in one cast; it turned out to be three characters after ten years, and I put them in one cast. Then I thought of what would happen if you got these particular people together. That’s how I ended up with Strangers in Paradise.

Sidra:

    I notice a lot of people I talk to have a comic or a set of comics that made them think "That’s what I want to do with my life. I want to draw or write because this inspired me to." Is there a book, series, or creator that did that for you?
Terry Moore:
    The old cartoon strip guys. Charles Schulz had a big influence on me. So did Alex Raymond. That’s where a lot of my admiration came from when I was young. I didn’t know who the comic book artist guys were. I didn’t know anything about Jack Kirby or Curt Swan. I knew that I liked their work, but I didn’t know what their names were. They didn’t used to be heroes to everybody like they are now. They were kind of behind the scenes men. I knew more about cartoonists than I did about comic book guys.

Sidra:

    You break stereotypes in comics by having women characters that don’t look 101% perfect model-like. They look like real people and your books are very popular. What made you make this decision and do you think that impacts the success of the book?
Terry Moore:
    That’s the total success of the book art-wise and story-wise. I did it because that’s the kind of book that I wanted to read. I wanted to read a book about characters that I could relate to and get to know. I wanted to draw it well enough so that you would know what these people would look like in real life. That was my motivation. That’s why instead of cartooning I tried to do a better art style.

Sidra:

    In your book you use both comedy and drama. Is it hard to set up both comedy and drama in one book?
Terry Moore:
    No, and I really don’t think about it. It just kind of happens. I really don’t know how to answer that one. That’s just really the way my mind works. It’s not deliberate.

Sidra:

    You currently put out a trade paperback of a story arc the month the arc is ending in the monthly series. Why the quick trade paperbacks?
Terry Moore:
    Because there are a lot of readers who only read the trades and rather than wait a year, which is what I used to do, I decided to just get started on them and try to keep them up to date, too. I don’t think that the trade paperbacks are keeping me from getting readers in the regular series and vice versa. They’re not competing with each other, so I want to keep the trades as complete as possible.

Sidra:

    The production, speed, and availability of Strangers in Paradise has been very good. How do you do it when other publishers, self and corporate are having a hard time with it?
Terry Moore:
    It’s just hard work. It’s getting up every day and doing it. This is what I do every single day and I’m pretty happy about that. I cannot believe how fast it’s accumulated though. I’m surprised. There are around sixty issues of SIP, nine trades, four hardbacks, and it’s in eight languages around the world. We’ve sold almost two million copies. We’ve done all that in eight years. It surprises me how it adds up.

Sidra:

    It was said a long time ago that you were ending Strangers in Paradise soon. That obviously wasn’t true, but do you have an end in mind, like an issue number or a year that you’re going to stop at?
Terry Moore:
    A year and a half ago I was considering bringing it to a close to do work on other projects, but I had a meeting with myself and I voted myself down. I decided to keep this as my main vehicle because it means a lot to me. I’m not done with it. I have more story to tell. At this point, I’m just going to keep going and I don’t know when it’s going to be over. I do know the ending of the big story, it’s all in my head, but I’m nowhere near it.

Sidra:

    Why did you make David a kung fu karate guy who can kill people with a single blow?
Terry Moore:
    I got really drunk one night . . . just joking. I did not want a good character that was raised a namby-pamby, and that’s just him through and through. I think that that’s a myth about good and evil, that good people and evil people are born good or evil. I think that it’s life choices, and so I want my villains to be questionable. Are they good people gone bad? I want my heroes to show that they’ve made choices. That they are capable of everything possible, and it’s their choice about what they do or don’t do. I put it in there for balance. Maybe it’s a little extreme, but what the hell; it’s a comicbook.

Sidra:

    Do you worry that there is too much over-the-top action for a comic with three main characters?
Terry Moore:
    I don’t know, because I’ve had long periods where they just sat around the neighborhood and just did pizza and argued. People were bored stiff. It’s amazing how quickly they forget that. I’m tired of the crying stuff, but am I going to apologize for it? Naah,.. I don’t think so.

Sidra:

    Your characters are so 3D and real do you actually base them off of any real people?
Terry Moore:
    Yeah, mostly off of you, I’ve been stalking you for years.

Sidra:

    Oh dear.
Terry Moore:
    Nah, I’m just a real people person, and so I have a lot of that kind of thing in my head. I just draw from that.

Sidra:

    If you could work on anything in the comicbook industry what would it be and why?
Terry Moore:
    I really wish I was the guy doing Strangers in Paradise. When I wake up on Monday morning my job is to go hang out with Katchoo all day and that’s the best job in the world.

Sidra:

    Do you visualize the story first or do you think up the writing for it first?
Terry Moore:
    I think it would be story first. Sometimes I will have a visual scene in my head and I like the idea of it. The new book that I’m working on now, I had this idea of Katchoo snorkeling off the coast of Hawaii topless, and just really liked that idea. The new book has that scene in it, but mostly I think about story, relationships, conversations, and things people might say.

Sidra:

    What do you want to work or next or do you just want to continue on your current project?
Terry Moore:
    What I’m doing right now is trying to make the Strangers in Paradise comicbook series the best that I can. Make it something that I can be proud of, but I’m also very interested in this comic strip collection book that I’m doing... Paradise 2 which will be bi-monthly beginning this summer, and I’m working the SIP novel. I’m very excited about that. So really that is my entire focus right now, those three things. The priority is the comicbook.


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Review Copyright © 2001 Sidra Roberts

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