Great X-pectations by Jason M. Bourgeois

Extreme Claremont

Wooo, doesn’t that topic just send shivers down your spine? There were plans to continue the Something Old, Something New titles, but a three part column? From me? Now that is something to laugh at.

So, X-Treme X-Men. Oh look, X-Treme sets off my word processor’s spell check. Who would have thought that X- Treme would do that? Frankly, I agree with the chunk of code. X-Treme X-Men drives me up the wall as a title. Why? C’mon! Can you look at X-Treme X-Men and not have a laughing fit, shakes of terror, or both? I didn’t think so. This is one of the worst titles ever given to a comic. It would only be beaten by the Gambit and Bishop limited series, if it had been named, as Scott Lobdell suggested, "Gambishop."

Why name it X-Treme? I haven’t seen any examples yet of extreme behavior. Is their official sandwich the Extreme Whopper, in a clever cross promotion between Marvel and Burger King? Ok, sure, this is a group of renegade X-Men (Renegade renegades. Now there’s a concept), but "Renegade X-Men" would have been a much better title. Hey, in five minutes, I came up with a better title! Try it at home, kids, safe for all ages! (Offer not valid outside the continental United States) In fact, I’m so against this title, I’ve taken up the lead of others online, in calling it simply That Claremont Book. Feel free to follow this lead yourself.

But wait, what about the actual comic book? Simple. Once you get past the asinine, you get one of the best comics Marvel is putting out these days. Rather like Freakylinks on FOX. Good things seem to get hampered by totally lame names these days. A new trend? And maybe I shouldn’t compare XTX- Men with Freakylinks, considering the problems that show had with its schedule.

Right, let’s get back to the comic.

First off, Chris Claremont is writing this comic, and it’s some of his best writing in a long time. It still has a bit of the Caricature Claremont that has cropped up here and there over the years, and slips into self-parody a bit, but not as often as he did when he started back on the X-Men last year. There is some genuinely good writing here, but in Claremont’s style. It depends on your tastes, if that’s your thing.

Salvador Larroca provides the art here, doing some of his best work. Some folks have complained about his proportions, and they are a little off, but for the most part, in this day and age, they’re not that bad. And they’re consistent, and Salva has a strong sense of storytelling. Best of all, he works well with Claremont, which is why I think Claremont’s later issues of his return to X-Men were so much better. He had a competent artist that meshed well with his style.

His costume designs are some of the best of the relaunch as well. They have a bit more of a real world/leather feel to them, but still are obviously costumes on comic characters. A good blend of old and new philosophies. They also don’t look painted on. There’s a distinctive lack of cleavage on the women! The costumes don’t adhere to every curve! Take a lesson, Liefeld, and imitators!

Now, the colours. Yeah, I don’t usually discuss the colours in a comic, but this is different. Marvel is using a new process (Well, new to them at least), where they take Salva’s finished pencils, and go right to the computers to colour the pages. It makes a very realistic style, and very noticeable, singling it out from the rest. It started out in the first issue to leave some things fuzzy, since there aren’t black lines outlining everything, and detailing all the things, but the colorists are getting better at getting that detail in, while keeping that unique feel. It also started out very bright, and pastel, but as time has gone by, that has lessened too.

The plot centers around a group of X-Men who have left the main group, to go in search of Destiny’s Diaries, thirteen volumes which will reveal the future of the planet to anyone who finds them. They’ve split off from the rest of the team, since they’re unsure that even Xavier can be trusted with this knowledge, what with his tendency to, oh, go insane, and manipulate minds. We’re three issues in, and haven’t even really looked for a journal, so this plot can go on for awhile. They were looking for one, but were assaulted by a few folks, one of which may be an agent of Xavier’s, with the knowledge of how best to kill each X-Man.

Speaking of killing X-Men, someone dies in this first arc, and I won’t spoil it, in case some folks have yet to read it (What are you waiting for, GO!), and the death was very well handled. Establishes the villain as someone who means business, shows how much is at stake, and what these X-Men may be asked to risk in their cause. And Claremont has come out and said that they will be dead for as long as those in power want them to stay that way. Which is about as dead as you get these days.

Actually, that’s about as dead as any character has ever been in comics. I’m tired of the "Oh, they’ll be back someday!" jaded view of comic death. Of COURSE they’ll be back someday. Someone, eventually will want to bring back their favorite character. Does that mean that the story of their death is crap? Nope. Accept the comics for what they are folks, not what might come down the line in a few months, or what they’re not. This is another thing that has been bothering me about the modern comic fan. If the comic isn’t absolutely perfect, it‘s a piece of crap, and not worth their time. Which this could lead me to a whole other rant, which I think I’ll save for later, since this is going a bit far a field.

In short, if you like Claremont, and the X-Men, you will probably love this book. This definitely has the feel of Claremont coming home again. This is Classic Claremont, folks, and well worth the read, if you like that sort of thing.

Wow, I really went off about That Claremont Book. I’m done writing for the month. I’ll be convalescing until next month, with whatever Ellis comics I can get my hands on, folks. That’s right, they’re not only covered in chemicals that are addictive, but they have healing herbs in the ink too!



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Copyright © 2001 Jason M. Bourgeois

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