Great X-pectations by Jason M. Bourgeois

Forced Entry

Once more, welcome back! This month is going to be fun. Why? Because of controversy, of course! I think that’s the theme for the month here at Collector Times. So what is my controversy?

Why, I like the new X-Force comic. A lot.

Every time I have said that, I’ve practically received death threats. Even before the book came out, when I was unsure of the concept and art, and said I’ll wait and actually see an issue of two before I decide how much crap it is.

This leads me to a rant, and something that is pissing me off lately about comic fans. The prejudging of a book from a short two line description of a comic written to hype a book, often by way of getting your attention by trying to annoy you. All for a book not coming out for months and one piece of promo art that, quite often, is coloured wrong. How can you tell that a book is going to be utter crap without having actually seen at least a complete issue?

Now, don’t get me wrong, I can understand simple comments like, "That art isn’t really my style," or "That doesn’t sound like something I want to read". Solicitations and promos are supposed to allow you to decide if you want a comic, or might even have some slight interest in it.

But to completely say the book is total crap, and the worst comic ever written? Yes, I have seen both of these, and many comments even worse.

Am I the only person that sees this as wrong? Hello?

And it gets even worse! I’ve seen people saying the book is utter crap for what it isn’t. What do I mean? Ok, get this...

"This comic sucks because it doesn’t have Cannonball or any of the old X-Forcers in it!" Now, let us follow this logic, shall we? War and Peace sucks, because Cannonball isn’t in it. Lord of the Rings sucks because it doesn’t have Domino. The Raven is a bad poem, because there’s no Cable!

Now, I will admit this probably wasn’t Marvel’s brightest move. Ending the adventures of the old X-Force crew, and giving the title and numbering to an entirely different team was not all that smart. It’s a new beginning, so should have at least gotten a new number one, and probably a new title. All this did was alienate many of the existing fans who couldn’t deal with it. Although, that happened anyway, as evidenced by the above.

A lot of the hate I’ve heard for the book is because the old fans just can’t get over themselves. One of my personal favourite complaints is that the codenames are stupid. Why yes! And Cable makes so much sense for a telepath with a big gun fetish!

Enough of the rant. Let’s talk about the finished product.

First off, this comic is a sort of parody. It’s serious, but it’s spinning the popular media images of people and the hype found there into a comic team. How would a mutant team fare if they just totally sold out, went corporate, and just became media stars? In the real world, you have hated (Or at least disliked) minority people becoming huge stars and breaking through the boundaries that exist, so why not the mutants in the comics?

The media aspect also explains the totally idiotic names. I mean, really, how good of a "code name" is Eminem? P. Diddy? U-Go Girl? I’m sure you see the thread here. And none of these characters like each other. They’re bitchy, they’re conniving, they’re in it for themselves. Just like real media stars!

This is definitely not a book for everyone, or the faint of heart. You have to kind of ‘get the joke’, and be willing to run with it, to really appreciate the stories. The art also is not for everyone, since it’s coming from Mike Allred, someone who’s art definitely does not fit the modern "How many little lines can I fit in this picture?" style of artist. His art is very reminiscent of the Silver Age styles. Clean, strong lines, not a lot of detail cluttering the page (Although he doesn’t skimp on it either), and realistic proportions, at least compared to most of the modern artists, the majority of which are Jim Lee clones.

Allred’s style is perfect for this comic. It gives you that false sense of security, seeing nice happy simple art, from a goofy time in comics, and then BAM! they hit you with exploding heads, complete with flying eyeballs, exploded guts spewing all over our characters, and portraying these characters in a realistic way, producing contrast with that old-style art.

Personally, I am greatly enjoying this book. I’m not saying you have to either, but give it, and any other comic book, a fair chance before you decide it’s plain crap. Your opinions are that much more valid if they’re informed opinions and not knee-jerk reactions. Something not fitting your tastes is one thing, but hating it without reading it, or even letting those preconceptions to colour how you would judge the book upon reading it, is just ignorance.

That is all.



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Copyright © 2001 Jason M. Bourgeois

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