Great X-pectations by Jason M. Bourgeois

The Wheel Turns

And so, with one issue, Grant Morrison completely changes my opinion of his work on New X-Men. Admittedly, it had been wavering for a few months, and the bad far outweighed the good. Really, it’s more of a solidification of an opinion based around growing concerns for the direction Grant is taking the book in.

Now, overall, I rather like the direction Morrison is taking the book. After all these years, Xavier is finally revealed to the world, and taking the X-Men in what could be new and exciting directions. Instead, we get another public response team. Part of the charm of the X-Men were that they were outlaws. They’re still hated, but they’re also becoming more accepted.

This really leads to a good summation of why Morrison’s run just isn’t working. This isn’t the X-Men.

Morrison has been hailed as doing new and innovative things, when almost every single plot he’s done is just a retread, mostly from the Claremont/Byrne era. I somehow suspect this is where he stopped reading, since any advancement the characters have made since then is gone.

Let’s see: An evil incarnation of Xavier? Check. Jean exhibiting new and mysterious powers that are off the charts? Check. Imperial Guard under control of a bad person to stomp on the mutant populace? Check. Mutants going public? Well, happened in X-Factor, but check. Dead Magneto? Check. Heck, that happened just two months previous. Increased emphasis on the school and new students? Check. I can’t find one single idea here that’s new or innovative, as folks are saying. I mean, isn’t this supposed to be NEW X-Men?

Wolverine is back to acting like a psycho bad-ass moron, and ditching the whole honourable samurai. He’s back to being more animal than man, with less personality. Beast is about the only character that is spot on, aside from declaring he’s gay out of the blue. This may be a joke, but we don’t know, it was just suddenly tossed out there for no reason other than shock value. Which is another problem of Morrison’s writing. He tosses out something, then doesn’t follow up on it for a long time, if ever.

Cyclops is confiding in Emma Frost, someone who was an enemy for much of her existence, over the problems he’s having with Jean. Not someone like, oh I don’t know, a friend, such as Beast, Warren, Logan, the Professor. Almost anyone around besides Emma.

Jean is back to being a strong female character again, at least.

Although, there are other problems with Jean. Well, not with Jean, but with the Phoenix. Note for future X-Writers: don’t mess with the Phoenix. In the latest issue, Morrison has Jean and Charles discuss her growing powers and occasional manifestations of a big ol’ firebird. Charles then proceeds to explain what’s up, and destroys around 20 or so years of continuity that’s been built up.

"Telekinetic sensitivity this extreme is known as "The Manifestation of the Phoenix" by neuro-mystical surgeons of the Shi’ar Empire. The X-Men underwent great trials and loss during a previous rogue phoenix manifestation on this planet."

So, the Phoenix Force is now gone as a concept, even though it’s been well established, and any telekinetic can come along and start showing off big firebirds. And reducing the Dark Phoenix, an apocalyptic being of myth and legend, a dark god and harbinger of destruction for the Shi’ar Empire is now just a rogue manifestation?

Nope, I’m sorry. You lose. This screws over quite a bit of stuff, including some whole characters. I’ve heard folks say that it fits fine with everything, until the dumb retcon that brought about the Phoenix Force in the first place. Yeah, maybe so, but that retcon is already there, and ignoring it completely just makes the entire situation worse, especially for something this big.

If a writer can’t be bothered to know what he’s writing about, from characterisation through to the history of the characters, and just writes whatever he wants to with them, fitting them haphazardly into whatever characterisation and plots suit his purposes, irregardless if they suit the character, then it’s a clear sign that the writer is on the wrong book. Or, maybe I am.

Yes, that’s right. Morrison has done that which only one other writer has been able to do, make me seriously consider dropping a core X-Title. He may yet cause me to drop it, in fact, I’m quite close as it is. I’m just a glutton for punishment. And where would everyone out there be if I dropped it and couldn’t rant about it?

Who’s that one other writer? Scott Lobdell. Yes, Morrison and Scott Lobdell, exhibit similar quality writing on the X- Books. In fact, I’d rather be reading Lobdell’s X-Men. At least they were recognisable, for the most part.

Don’t get me wrong, normally, I like Morrison’s work, but almost nothing is clicking here, and he’s not writing the X-Men. His big funky ideas are too big to work in an already established universe, it could be said. Leave him to his creator-owned projects for that stuff, it’s less offensive.

For now, I’m sticking with the comic, see if things clear up. If he continues the way he’s going though, I won’t be keeping an eye on my old friends for long. I’d wish for a consistent artist, but we know that will never happen.


    Jason M Bourgeois


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Copyright © 2002 Jason M. Bourgeois

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