Great X-pectations by Jason M. Bourgeois

Mekanical Difficulties

Yeah, we’re finally back, after a few months off. Sorry for the delay, but you know how life can bog ya down some days. Er, months.

Anyways, before we get started, let’s give the Collector Times a big congratulations to making it to its fifth anniversary! Way to go, everyone! How you managed to survive putting up with ME for five years, I will never know. But, here we are. Hopefully for a few more years yet.

So, this month, if it couldn’t be guessed at from the title with the badly spelled word, we are taking a look at Marvel’s recent X-Miniseries, Mekanix, starring Kitty Pryde. Thank you, Marvel, for yet another word that gives my word processor’s dictionary the fits. I blame Liefeld.

On top of that, why does Marvel have to keep saddling Chris Claremont series with horrible titles? It’s a general consensus that X-Treme X-Men was once the dopiest title currently in comicdom, then they gave us X-Treme X-Men: X-Posé - giving us at long last an X-Title with the abbreviation XXX - and now Mekanix.

I can understand the first two, a little. This team of X- Men was taking an "extreme" view and breaking away from the team, and the next was the news looking into the now- public existence of the X-Men, and the X-Treme team in particular, so it was an exposé on them. But Mekanix? The reasoning they gave was just plain weak. "They’re creating their future, the mechanics of their own destiny." O...kay. That’s paraphrased from an interview, mind you, and not the exact wording. It is close, though. The title is more aptly named that because they mess around with robots for the last three issues.

Now, aside from the title, I have to say this was, hands down, one of the best X-Men miniseries for some time. In a lot of ways, that’s not saying much, mind you, but still. This is Chris Claremont back writing at the top of his game. He even manages to shut up for a few panels an issue to let the art tell the story. He’s still wordy, he wouldn’t be Claremont without a high word count, but we that’s why we love him. Many of his other quirks, which have been magnified for the last decade or so, are almost non-existant here, even more so than X-Treme.

Oh yes, those covers. If they’ve been seen on the newsstands, they almost certainly did grab attention. My reaction would have been, if I hadn’t know it was a Kitty series, and by Claremont, so I knew I’d probably like it, would have been to avoid it. They were done by a fashion designer, and you can tell in the loose linework, and odd body postures and style. I give Marvel credit for experimenting, but I wouldn’t be surprised if those horrid covers drove folks away. The interior art is not, thankfully, by the same person, and is much, much better.

The art is by someone who’s new to me, Juan Bobillo. He handles the art chores quite well, able to tell a story with real people, and a few fantastical elements, such as the aforementioned robot Sentinels. His people look like every day sorts, not the ultra-realised babes and men that is rather common, nor Frank Quitely’s inhuman creatures some folks consider art. My only complaint with him is that he makes Kitty’s face look like what can only be describe as Angelina Jolie. Way to large lips, and the style of it just isn’t right.

The story centers around Kitty Pryde, now in college, and trying to deal with a psychiatrist, a mutant-hate group, and attacking Sentinels. Claremont goes a little bit over the top when he has some government agents investigating her apartment without her consent, a commentary on recent events by our own government walking over people’s civil liberties. A bit forced, but still a nice thing to bring up, and not too cliche yet. The story all comes together well in the end, tying up loose plots, except for a few in hopes of a sequel, or maybe even an ongoing series.

The odds of that are, however, rather unlikely. Mekanix was not a top seller, so making more isn’t exactly an economically feasible move for Marvel right now. However, they are printing a trade paperback of the six issues, and prologue from an issue of X-Men Unlimited, packaged as a volume of the X-Treme X-Men series of trades, and if you haven’t checked out the series yet, I urge you to go pick it up.

Now, I’d like to kick off a new section of this column, something I’m calling X-Panded Horizons. I’ll every month or so, as the urge hits me, reccomend a comic I like that is outside the realm of the X-Books that is, in my opinion, good, different, and deserves a chance.

To kick things off, the first X-Pansion is a little comic you may remember me mentioning, called Brath, from CrossGen Comics. Brath is about a Celtic-like warchief, struggling to unite the various tribes of his land against the invading armies of a Roman-like civilization.

Why is this the recommendation? It is a well-written, and gorgeously drawn comic, for starters. Anything of this quality should be checked out, at the least. In today’s market, it is also totally unique. Some have compared it to Conan, but that’s about as far as saying Superman and Batman are the same guy because they wear tights and fight crime.

The creative team has done extensive research, and the artist is from Rome, so this book is being carefully crafted to be highly accurate, yet still based in CrossGen’s far-flung future settings. Before that sparks any confusion, let me elaborate. CrossGen’s comics all take place several thousand years from now, and man has colonized many planets, many of which, over time, have come to resemble various points in our own history, hence the Celtic and Romanesque civilizations on the planet in Brath.

Definitely a book worth checking out, just to drool over the top-notch artwork, but there are more than enough reasons to keep coming back. Brath is brought to you monthly by Chuck Dixon, Andrea DiVito, Brad Vancata, and Rob Schwager.

That wraps up another month, folks. Let me know what you think of the new addition to the column, and we’ll see if it sticks around. And once again, Happy 5th, Collector Times!!


    Jason M Bourgeois

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Copyright © 2003 Jason M. Bourgeois

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