Artistic License by Joe Singleton

No time to do my regular column this month. The job I use to pay the bills and keep me in style to which I have become accustomed has been taxing my temporal resources the last week or so. In place of my usual stuff, I thought I'd preview the cast of a comic project I'm working on with a couple of friends.

Way back in the last century, I had a chance to do a comic of my own, but the timing was all wrong and the deal fell through. This was 1996, just about the time the comic market took a dive due to the speculator bust. I had twelve penciled and inked pages, seven of which were lettered, when it happened. Those pages have spent a lot of time on a shelf, since then, but the project has always been in my mind.

Recently, while excavating through a small mountain of papers, I discovered the manuscript for the last several pages of that first part of the story and got the bug to do something with those pages. At the same time, I've made a new acquaintence on the web who is looking to do some inking and was looking for a project for us to work on together. So, I decided to pitch the idea to him and my friend who does a bit of writing, to help me over the rough spots.

For about a year, now, I've had a Yahoo group dedicated to this project and the world in which it's based. If you're interested, you can find it here: http://groups.yahoo.com/group/gladiators2003

Originally, the series was supposed to be titled "Powers", but I've lost that title, due to delays. When it became necessary to find a new title, I went with "Gladiators", based on the title of one of the seminal works of "super-hero" fiction, Philip Wylie's "The Gladiator", the direct inspiration for Superman, right down to the blue-black hair.

I wanted a title that would allow us to tell any kind of story, without specifying a particular character or group, and I wanted something that would make sense in the Golden Age, as this first story takes place in 1940.

When I began, I had no intention of recreating the JSA or Invaders, I started, in a lot of cases, with a character name and a rough idea of powers associated with them. I took, as a naming convention, the names of fighter planes and bombers, for many of my characters. From there, I designed characters that fit the name and powers, I tried to design costumes that were possible, and practical, in 1940. Only two of them are based on the circus acrobat sort of costume made popular by Superman.

In my world, things are a little different than in most comic book universes. In the world of "Gladiators", there were no American costumed super-types until late 1939, when Richard Kincaid decided to become a living symbol of individualism and freedom, and took the name "Liberator", following a disastrous trip to Germany to investigate the superhumans he'd seen in newsreels and the cover of Life magazine.

My thinking here is that the Nazis would tend to dress their superhumans up in costumes inspired by Teutonic mythology, so when a large red-headed soldier developed electromagnetic powers, he was a natural to be styled "Donar", after the Teutonic thunder-god.

At one point in his history, Richard Kincaid, Liberator, wished for nothing more than to find other people like him, people who had been hiding their superhuman powers all their lives. His trip to Germany taught him that simply sharing this distinction, superhuman powers, was not sufficient to make "all super-men, brothers". The realization that others, in America, might be inspired to take on such destructive roles caused Kincaid to seek out an American mythology, something to symbolize the sort of rugged individualism he admired and sought to model to the world. That's when his eyes lighted on a garishly colored flimsy pulp magazine. In the cover, a man in blue tights and a red cape was leaping into the sky of a clean, modern city. Superman. This would become his model, a piece of new American mythology.

Designing his own costume in such a way that it would stand out, he consciously chose a color scheme that would not identify him with any particular ideology or nation.

Following his appearance, others appeared. Some with inborn powers, like Jameson Thorne, the Oklahoma-born Choctaw Indian whose speed and stamina had caused him to be nicknamed "Mustang", in his youth.

Some with powers conveyed to them by mechanical or "magical" objects, like Gold Star and Magneton.

And others, without any powers at all, carrying on a tradition as old as the United States of America, The Hawk.

Of course, the new super-heroes aren't limited to American shores. Across the pond, England's first publicly-known superhuman wrapped herself in the Union Jack and took the name of the stalwart British fighter plane, calling herself Hurricane.

And, with heroes in the world, there are bound to be villains, as well, such as the terror of the American West, El Tormento.

In the story we're working on, the main villain of the piece is another man, transformed by a magical object into the total opposite of Liberator, who calls himself Dominator.

The story brings most of these early heroes together to form the first super-team in their history.

In addition to the Yahoo Group, where you can see more of my work and notes on this project, some of Jeff Valentine's stories are there, as well. One of the other contributors on the project, the other artist, that is, is Jesse Hansen aka: Cadre, you can see his work here: http://www.cadre-art.com

See ya next month!


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Copyright © 2004 Joe Singleton

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