Artistic License by Joe Singleton

This time around, I decided to play with a couple of villains from different publishers who share common roots. In this case a common creator, George Perez. George is one of the most prolific artists of the last 30 years, working for almost every comic company to publish during the time he's been a professional artist. However, the characters we're concerned with today are from Marvel and DC.

You could say these guys are cut from the same cloth, though their back-stories and abilities originate from different sources, probably the result of different writers' involvement. In most other ways they are nearly identical. Of course, I'm talking about Taskmaster and Deathstroke, the Terminator.

Before I get started, I'd like to plug a website that I used for most of the Taskmaster info: http://www.taskmastersite.com/

Gotta appreciate the thoroughness and dedication of the creators of the site. Good design, too.

Taskmaster is something of an unkown quantity. We have been shown a bit of his childhood life, when he learned that he had a single, very effective, super-power. It is assumed he is a mutant and that his mutation is the source of his "photographic reflexes", the ability to duplicate any athletic or physical skill he has witnessed, even viewing athletic performances on television. Later, he used archival video records of costumed adventurers such as Captain America and Daredevil to duplicate their skills, moves and fighting styles.

When he was first introduced, Taskmaster was revealed to be an established villain, who had managed to remain "under the radar" up to that point. He had used the wealth he had amassed in his own criminal career to establish a "crime college" on Long Island, New York. This is not to be confused with the "crime college" from the old Doc Savage pulp series, which was a kind of mental institute for the criminals Doc apprehended, where he performed experimental brain surgery that altered the behavior of criminals so that anti-social behavior was no longer possible for them.

Taskmaster's "crime college" was more like a finishing school for criminal henchmen. It was his goal to be the #1 supplier of what we might call "hero fodder", the disposable lackeys, henchmen and such that super-villains tend to run through like a high school football team through a buffet.

Of course, the problem with any operation of this kind and size is, you can't run it all by yourself. Taskmaster had a partner, Dr. Pernell Solomon. Solomon had a heart condition and used the equipment Taskmaster had acquired to grow a clone of himself, to provide a compatible donor. I guess that whole Hippocratic Oath thing went right over his head, eh?

Solomon's clone escaped, as they usually do, and despite having been grown in a lab for parts, he had a fairly advanced knowledge base and surprisingly well developed emotional responses and the like. The clone escaped and managed to alert the Avengers. The Avengers, as heroes often do, charged in and smashed the place up. No more Crime College. This didn't put Taskmaster out of business, but it did put him on the heroes' radar.

Taskmaster has some of the things I like in a costume. Always loved the cuffed "bucaneer" boots, and a big, billowy cape. The hood is cool too, with the skull mask. Plus, lots and lots of weapons. The only things I really hated were the colors, which were from the limited, pre-digital pallette and the way he was characterized. Now, people who know me, know that my writing "voice" is quite a bit different from my speaking voice. I am smarter than I sound, in person. I can take some of the twang out of my voice, but I'm a Texan, and I don't usually do it. I guess that's what writer David Michelinie was going for with writing Taskmaster. he talked like your typical thug from the northeast. Yawn. I don't say he needs to have a cultured, pedantic speech pattern, but something a bit more professional.

As for the colors, well, we can do something about that. Lose the orange. Ugh. Take the white into gray, blue and black, are good and a little red for emphasis. The mask, I simplified, make it a closed mask, concealing some of that ultra-tech so he could have night-vision and air-filters, comm gear, too.

A few months after Taskmaster appeared over at Marvel, a new villain appeared in the DC Universe, in the pages of The New Teen Titans. Like Taskmaster, he's been active a lot longer than we've known him, just behind the scenes. He had forged a successful career as an assassin, as Deathstroke, the Terminator, but he would be known as The Terminator for most of the time.

Deathstroke, the Terminator is Slade Wilson, a military veteran who volunteered for a medical experiment that increased his strength and speed, and possibly his mental abilities, by increasing the portion of his brain he can actively use to around 90%. Coupled with his fighting skills and an array of weapons, he's pretty formidable. When he left the military, he became a mercenary and assassin.

Years later, he was offered a contract to kill the Teen Titans, but he turned it down. The contractee, H.I.V.E., contacted Wilson's son, Grant and offered to give him powers like his father's so that he could take revenge on the Titans, whom he blamed for ruining his life by accidentally destroying his apartment. Pretty weak, as motivation goes, until you figure how hard it is to find an affordable apartment in Manhattan, I guess. Grant's body rejected the enhancement serum and he died from it, in battle with the Titans. Deathstroke took up his son's contract and fought the Titans, but couldn't beat them.

Later, Wilson entered into a relationship with a young (and I do mean YOUNG) metahuman, Tara Markov, in a plan to destroy the Titans. She joined the team as Terra and they very nearly succeeded in bringing down the Titans, but Nightwing and Wilson's other son, Joseph, freed them. Terra was killed in the battle. She was a bad girl, she smoked and wore too much eye makeup and everything!

In the Teen Titans cartoon series, Slade Wilson is known as Slade, though there are definite "Terminator" elements to his costume, the face mask, especially. He's cool and efficient, but he's not the comic version by a long shot. He seems a lot less independent, to me.

I do like elements of the toon costume.

But, for my version, I want to go back to the cloth face mask. I mixed elements from the original costume and the toon version. The armor I preferred is similar to Captain America's armor in "The Ultimates". I think the blue and gray work well together, with a few red-orange elements to break things up and silver-metal for the metallic parts. I had to keep the boots as close to the originals as possible, I always loved that style. (Yes, I grew up in the '70s and wore big bell jeans)

Well, that's enough for now. Back next month.

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Copyright © 2006 Joe Singleton

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