Coville's Clubhouse by Jamie Coville

Herb Trimpe interview

Herb Trimpe is best known for his 8 year run on The Incredible Hulk. Many fans and pros say his version of the Hulk is the definitive one. He also drew the first appearance of Wolverine within that Hulk run. In this interview we talk about his career, Wolverine, Stan Lee, his time working at the Twin Towers after 9/11 and other things he's been doing since he stopped drawing for Marvel Comics.

Jamie Coville:

    Do you have any desire to get back into drawing comic books?
Herb Trimpe:
    Not really. Making some money might be nice, but I'd rather find another way to do it. I do some commission work, and that's about enough.

Jamie:

    If you were to do some comic book work, how would you draw it?
Herb Trimpe:
    With a pencil. Ha, ha. Sorry, I really don't know what you mean. Would that be the style? If so, it would be the way the work has looked in the later days. As far as inking goes, I used to use a brush but have lost the touch. Probably mostly with a pen which gives the work a certain look.

Jamie:

    You've said in previous interviews Stan Lee would point artists to Kirby to see how things should be done. In your latter years, you adapted your style to look more like Rob Liefeld's and Jim Lee's work. If DC were to give you a Superman story to draw, would you mimic another artists style?
Herb Trimpe:
    No, probably not. The other thing, I mostly changed to the Liefeld/Lee style as a joke for an inventory job I did. Just to show that anyone could do it. Marvel wound up buying it. Also, it was mostly Jack's dynamics and story telling, not his style so much that Stan wanted.

Jamie:

    You worked at Marvel as a staff artist. I assume you did more than just pencil books when you were there?
Herb Trimpe:
    I did some inking, also. I usually liked to ink my own work, but the schedule didn't always allow for that. I actually started out in the production department operating a photocopy machine.

Jamie:

    Among your earliest Marvel work was a Phantom Eagle story printed in Marvel Super-Heroes #16. Who created the character?
Herb Trimpe:
    Gary Friedrich, who was a staff writer at the time. He knew I liked airplanes and thought it would be cool to do a story together. I'm amazed that you know about the Phantom Eagle.

Jamie:

    Was he at all inspired by the Phantom Eagle that appeared in Fawcett's Wow Comics?
Herb Trimpe:
    We knew there was such a character, but there was no intent to bring him back to life. Ours was a totally new feature, at least that's what it was meant to be.

Jamie:

    In other interviews you mentioned liking Disney Comics, EC books and Superman. Were you not at all interested in The Blackhawks?
Herb Trimpe:
    Oh, yes, definitely. Funny, though, I really didn't read that comic. I liked to look at the airplanes, but I think there were too many words. I especially liked the airplanes they used, particularly the Grumman Skyrocket. It was never put into production in real life, but the Blackhawks got quite a bit of use out of it.

Jamie:

    What did you think of Wolverine when you first saw him?
Herb Trimpe:
    Since Wolverine first appeared in a Hulk comic I drew, I was not impressed one way or the other. At the time, it was just another character we needed to develop to complete a story -- and, I think there was some thought to appeal to the Canadian market.

Jamie:

    Are you surprised at his popularity?
Herb Trimpe:
    I'm not surprised by anything that happens in comics -- and I wouldn't want to predict what would be popular and what wouldn't. A lot of it's just plain timing and luck.

Jamie:

    In the 70s you used to travel with Stan Lee and do drawings for his presentations. What was that like?
Herb Trimpe:
    How do you know about that? It's not that I was his sidekick or anything, it mostly had to do with availability. I just happened to be around at the right time. I went with Stan to a Philadelphia TV show once, and there was a show in England at which I drew for the audience, but I was actually living there at the time and didn't travel with Stan.

    There was something in NY also, a PR thing, but just about everybody was at that one, and of course we did a show at Carnegie Hall with some well-known personalities, and I got to play in a rock band. That was fun.

Jamie:

    I've heard that during the media spotlight, Stan got and effectively took credit for Marvel's success, which is what angered Steve Ditko and Jack Kirby. Did you see any of that while there?
Herb Trimpe:
    Well, no, I didn't, but, you know, Stan is the Man, and he has a certain charming way about him, and it almost doesn't matter what he says, he'd still get all the credit because people don't always want to believe what they are hearing. I'm sure if you talked to Stan personally, he would give full credit to all the people who made Marvel what it was, especially to the KING of COMICS, Jack King Kirby. Keep in mind that people love controversy.

Jamie:

    Lately you've been writing a lot. At Marvel you written a bit of stuff, usually scripting. Looking back do you wish you had written more?
Herb Trimpe:
    No, because writing is work-intensive and the pay proportionally isn't as good as doing the art. That's not to say I don't enjoy writing, because I do very much. But when it comes to making money, I'd just as soon do it the easiest way I know how.

Jamie:

    I noticed you are writing short stories and putting them on your website, http://www.herbtrimpe.com. Are people buying them?
Herb Trimpe:
    Of course not. I think they're free, anyway. Generally, fans are only interested in the things they like--or the things that have some nostalgic appeal. That's their connection to the person who does the work. You could be a Hemingway or a Vonnegut underneath it all, but it wouldn't matter. That doesn't mean to say that I, for instance, couldn't be successful in another field, say writing. I could, and I have tried. But the only people who go into a comic artist's website are comic book fans, and they only want one thing when looking at my website--the Hulk, or Godzilla, or whatever.

Jamie:

    Do you have any interest in writing new comic books?
Herb Trimpe:
    Nope. That being said, I have been working on a novel graphic on and off for a while. I say "novel graphic" instead of "graphic novel" because it would basically be a novel with illustrations rather than illustrations with words -- which is really not a novel at all, it's just a fat comic book.

Jamie:

    Okay, what is this illustrated book about and do you know when we will see it?
Herb Trimpe:
    It's a kind of a retro 30s thing that goes back and forth between Mars and Earth over a million year period. I'm doing it for the fun of it, and nobody will probably ever see it. Remember, it's not the Hulk.

Jamie:

    You wrote a very well publicized article for the New York Times about getting fired from Marvel and your transition to a teaching job. Did you hear any reaction from Marvel after that saw print?
Herb Trimpe:
    No, I didn't, but I got a nice note from Stan complimenting me on the writing.

Jamie:

    I understand you did some paintings after Marvel fired you. Will we ever see those on your website?
Herb Trimpe:
    Wait a minute! How the heck do you know that? Were you living in my house, or something? Hiding in a closet? Yes! I did some paintings, but nobody knows that except my family, the dogs and the cats. I did a bunch of small paintings with flowers being the subject.

    Also, a couple of landscapes. Some in oils, some in acrylics. And, no, they are not going on my website, thank you very much. Can you imagine how many people would be interested in THAT?

Jamie:

    I haff my ways . Seriously, you mentioned the paintings in a previous interview. Bob Kane and Carl Barks did paintings after they retired from comics. You ever think about painting monsters like Frankenstein or working something out with Marvel and doing Hulk paintings?
Herb Trimpe:
    I hate painting, actually. It is the toughest way to make a picture.

    It is a very difficult and disciplined learning process, and I've never had the energy to proceed in that direction.

Jamie:

    For a few years you were an art teacher. Do you know if any of your students made themselves a name in art?
Herb Trimpe:
    That is such a funny question. Don't ask me why. I taught mostly middle school art, and my first class just graduated last June, sooo, not much time to make a name for themselves. I was just a regular art teacher (photography, also) and did all the stuff that you remember art teachers doing. The only exception was, I did a section on comic art. That was a trip and a half, I can tell you that.

Jamie:

    I understand you worked at the World Trade Center after 9/11 being a Chaplain. Can you tell us what your duties were?
Herb Trimpe:
    I was a chaplain in the on-site morgue and assisted in the recovery of, and officiated over, human remains. There were around sixty of us from all denominations and faiths providing a twenty four/seven service, working under the authority of the American Red Cross.

Jamie:

    You wrote a book about your experience called The Power of Angels and said the profits from it will go to a charity. Can you tell us a bit about the book and the charity any profits would go to?
Herb Trimpe:
    The Power of Angels is based on a journal I kept in order to help me process what went on down there. The book is an insider's view of the wonderful people I met at Ground Zero, and the great job they did. It is shown on my website at www.herbtrimpe.com. I think there may be links, and I believe it is still for sale on www.amazon.com. The book has sold three copies that I know of for sure, so sales have not even been close to the break even point. Remember, it's not about the Incredible Hulk. The designation of profits will be decided upon by myself and the publisher, when and if a profit is realized. The money will be distributed according to needs at that time.

Jamie:

    As of late there have been a lot of conspiracy theories floating around about the 9/11 attacks and how the Twin Towers went down. Having been at the site and seen the wreckage, what are your thoughts?
Herb Trimpe:
    It's all nonsense. What happened, was, a bunch of horribly misguided people acting upon their religious zeal flew airplanes into two of the worlds's tallest structures as well as the Pentagon. God knows where else they were headed with the airplane that went down in Pennsylvania. Thousands were killed, and it's not the first time in history people have been so motivated. Unfortunately, you can bet it won't be the last.

Regards,

Jamie Coville
http://www.TheGraphicNovels.com
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Text Copyright © 2006 Jamie Coville

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