When Continuities Collide

by Jesse N. Willey

Have you ever wondered if Superman could beat Hulk? Or maybe if Punisher could win a fight with Batman? Most comics fans have at one point or another. Marvel and various other comic companies have been willing to oblige fan (or staff) requests from time to time. Sometimes these stories have been a real treat. Sometimes they seem thrown together and underdeveloped.

 

Marvel's Top Seven Best Intercompany Crossovers

  1. Justice League/Avengers: This story, with an amazingly crafted plot by Kurt Busiek and the always eye catching art by George Perez is a real treat. That is, if you skip most of chapter three. Which is still worth looking at because you can buy almost any comic George Perez has ever worked on and go: "The story could be crap but the pictures are really nice." I borrowed the Absolute Editon from a friend and have to say "I think we the fans would have been better served if some body had given Roy Thomas an afternoon or two clean up the old script and let George Perez finish the one he originally started fifteen years before."

  2. Superman and Silver Surfer: This comic has art by George Perez so it looks absolutely gorgeous. The plot is a little strange, Mxzyptlk and Impossible Man cross paths while dimension hopping. Each believes their respective champions (Superman and the Silver Surfer) are the most powerful heroes around. So they manipulate events so that they have to fight. Only Impossible Man thinks it is just a game and Mxyzptlk is a little uncharacteristically cruel like in Alan Moore's "Whatever Happened to the Man of Tomorrow" incarnation only with no death. The plot itself is such that, given that Impossible Man is more closely associated with the Fantastic Four, if they saved it for Superman meets the Fantastic Four it could have been truly phenomenal.

  3. Teen Titans/X-Men: This was actually the second Titans story I ever read. The really funny thing is at that point I had never encountered any of the Titans in their own book. (The other I had read was Captain Carrot #19 which only featured Changling.) It served as a nice introduction to the rest of the team. I was seeing the story from the same point of view the X-Men were. This crossover had some great character interaction too. Kitty getting jealous of Starfire for making out with Colossus. Robin getting jealous of Colossus. Though in Starfire's defense, she can absorb languages through touch and was only trying to learn Russian. I bet Nightcrawler was mad she already knew German. By far the most interesting two pairs of character interactions were: a) Wolverine and Deathstroke. Nothing like a good scrap between government created killing machines and b) Kitty Pryde and Changling. What happens when you trap two awkward teenagers alone in a pocket universe together? Too bad for Gar it was for less than a page.

  4. All Access- This continues the adventures of Axel Asher, the world hopping hero from DC vs. Marvel. The story itself is probably a little stronger but it lacks the energy of Unlimited Access. The hero team ups seemed set up by sales guarantees rather than searching for something fun. Fans had already seen Superman and Spider-Man meet twice before. Given Robin's dating problems at the time (with Spoiler and Ariana) it was nice to see them play with the Jubilee idea again.

  5. Unlimited Access- This miniseries is the third of the three miniseries featuring the world hopping hero Access and it is by far the best. In this adventure, Access gains the ability to hop time and worlds meaning that almost no crossover was off limits: Two Gun Kid vs. Jonah Hex, Green Lantern (a then dead Hal Jordan) vs. The Incredible Hulk and my personal favorite, the Legion members who were trapped in the 20th century teaming up with the X-Men of Future Past. Not to mention the first appearance (unofficially) of Young Justice and some really nifty one shot amalgams like Thor'el (Thor/Superman) and Captain America Jr (Captain America/Captain Marvel Jr.).

  6. Marvel Two In One #21: Here at last because you demanded it- and by you I mean some guy named Roy- The Thing Meets Doc Savage. I'm not that familiar with the world of Doc Savage but I know a good story. This issue has three weird things about it. First, it is a regular issue of a comic (as is item four on the worst list). Secondly. pulp heroes and the ever lovin' blue eyed piles of rock really shouldn't go together. Thirdly, it is actually part of an on going arc. When I bought The Essential Marvel Two-In-One I thought something was wrong with it because it went from issue 20 to 22 and I was lost. (There was something wrong. Near the back half an annual reprinted itself and an issue was left out but that is neither here or there because I got it replaced.) Luckily, I found this issue in a back issue box cheaply and was able to read it. Another weird thing is that the two characters shown sharing cover space spend very little time actually interacting. It is almost a non-team up team up.

  7. Archie meets Punisher: I've said it before and I will say it again- this comic kicks ass in a way most Punisher stories are unable to do. Most Archie stories are purely repetitive cheese or camp at their best. Nine times out of ten mixing genres turns into some nonsensical brain scarring mush. (See some of the items below.) This one works on so many levels. Marvel and Archie pull out all the stops, so as what started as a reoccurring joke between the editorial staff of both companies works as real story.

 

Marvel's Top Seven Worst Intercompany Crossovers

  1. Batman vs. Punisher: This concept (both times they did it) seemed like a natural fit. The second one- where Frank Castle teams up with the Bruce Wayne Batman- was a huge disappointment. It could have been a story about Batman's hatred of guns and his desire to take down both the bad guys and Punisher. To the story's credit it does at least touch on these things. However by the end, Batman accepts Punisher's presence as a necessary evil. Batman may border on being as much of a sociopath as the rest of the Arkham lot, but he has a code; no guns, no murder is justifiable and you don't let a murderer just walk away. Though in Death in the Family, he comes close on breaking the murder rule. I simply did not believe the "let's team up" aspect of the Punisher story for a minute and that was essential to how the rest of the story plays out.

  2. Spider-Man/Batman: This story, like the Spider-Man and Kitty Pryde story I mentioned in worst stories piece a few months back, wasn't completely horrible. It just failed to live up to its potential. Spider-Man and Batman both are at their best fighting slightly more powerful madmen and not aliens from other planets. Their methods are similar enough that you can see them working together but their style, mainly Spidey's wiseass demeanor would present problems. Instead of something basic we get some elaborate plan involving Joker and Carnage and then the end of Gotham as we know it. It was another Batman begrudgingly teaming up with someone which readers were getting enough of over in Nightwing, Justice League and Superman. It was also another Spider-Man teaming up with someone who might not want him there story. Which is what Spider-Man team ups with Punisher and/or Wolverine are for.

  3. Superman/Fantastic Four: I have written before on how bad this story was. What I did not know at the time was where John Byrne borrowed (with permission) his idea from: Usenet. Those of us in various rec.arts.comics. groups in the 90s know that most of the ideas tossed around by people who weren't higher end fanfic writers tended to blow cheese. This one was one of them. (Another was DC's Day of Judgement crossover which actually had a good series spin out of it and a couple of good tie ins so the idea wasn't completely bad.) So some of the blame for this crime against comics goes not to John Byrne but the fans because in the mighty Marvel fashion, they demanded it.

  4. Transformers #3: It is an 80s and 90s cliche that Spider-Man or Wolverine will appear in the third issue of any title in order to boost sales. While I can't be sure, it may have been this very issue of Transformers that started it. I just wished the writers and editors had stopped to think for just a moment to ponder whether or not crossovers made sense before they did them. Marvel had plenty of other titles that would have worked. The New Avengers meet The Transformers (which yes, did include Spider-Man) proved that characters like the Avengers are more suited to fighting giant robots. Or if they wanted to do something that simulated how kids actually played with their toys they could have done one that combined Hasbro's Transformers with Mattel's Rom Spaceknight.

  5. Team X/Team 7: I barely know anything about the Wildstorm Universe and Wolverine and Sabertooth are not amongst my favorite X-people. I really only have this issue because I got almost all the DC/Marvel crossovers in a big collection out of cheap boxes. Most of these crossovers give you at least a snippet about who these characters were. This issue didn't do that. It was just one group of guys stepping on the black-op of another group of guys on another group of guys. Then the first two group of guys attack each other instead of the group of guys they both came to whack independently of each other. At least that's what I think was going on. I'm not really sure. By the half way point, I didn't really care. Sometimes I wonder how this made it through Marvel's licensing department, but somehow Ghost Rider vs. Casper did not. (I'm not making that up.)

  6. X-Men/Star Trek: When I first heard about this comic I didn't buy it. I love the X-Men. I was literally raised on Star Trek from the womb. I assumed just from the cover that it was one of the worst comics imaginable. As these things happen, I was at a used bookstore at the beach itching for some comics to read at the beach house on a rainy day when I came across this bag of dog on their buy 10 get five free rack. I had 14 comics and the only other things they had that I didn't already own were issues of Youngblood so I was stuck with it. At first I was too scared to read it. When I got through everything else in the bag, I got to this one. I slowly strapped myself into the Clockwork Orange machine and started reading. It was everything that I feared it would be. It took two of my favorite stories: Star Trek's: "Where No Man Has Gone Before" and Chris Claremont's "Proteus" epic and did things that should be investigated by Elliot Stabler. I didn't think anything could possibly get any worse until...

  7. X-Men/Star Trek: The Next Generation: ... which actually merges, via the amalgam concept, the Star Trek and Marvel Universes. I guess we should have known it was Tasha Yar and not Rachel Summers who had prevented the murder of Robert Kelly. Or that Captain Picard and Charles Xavier have similar voices. (This was actually somewhat prophetic the Star Trek movie was before the X-Men movie.) The plot was almost like they crapped and puked in a blender, set it on puree and expected us to drink. To make matters worse, you don't even get the full story. No, they expected readers to go to their local book stores and buy the novel: Star Trek: The Next Generation/X-Men: Planet X. Don't get me wrong, I am a brave man. I can take pain. As a child some neighborhood kids shot me point blank in the ass with a B.B. gun. I am brave enough to have read not one, but two Star Trek meets X-Men comics. I am not however, stupid enough to waste seven bucks to do it. Though if the editorial staff gave me $17 (seven for the book and $10 for pain and suffering) I'd be tempted to read and review. And yes, you can hold me to that.

 

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Text Copyright © 2009 Jesse N. Willey

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