Comic Reviews By AJ Reardon

    Heroes Anonymous Session 1 (of 6)
    Published by Bongo Comics Group
    Created by Bill Morrison and Scott M. Gimple
    Story & script by Scott M Gimple
    Pencils, Inks, Letters by A. J. Jothikumar, Andrew Pepoy and Chris Ungar
    Graphic Embellishment and Design (?) by Serban Cristescu
    Additional Pencils & Inks and Edits by Bill Morrison

Yikes, that list of credits is longer than some reviews I've read! Anyway, this month I have the pleasure of reviewing not one, but TWO comic books. It was a good month at the comic shop. The first comic to catch my eye was this strange comic. Yes, that's right- it's a comic about super hero group therapy. Allow me to quote the inside cover:

"Imbued with powers beyond comprehension, a group of Gothopolis' greatest (and lamest) superheroes gather on Wednesday nights for coffee, donuts, imported nougat and intensive group therapy. Led by The Blitz, a retired World War II-era superhero, they collectively defeat those they cannot best alone--namely, their inner demons! They listen to one another! They support one another! They occasionally travel through time! I'm okay, you're okay, they're okay . . . They are . . . Heroes Anonymous!"

Now I ask you, who could resist that??? Even as someone who doesn't read super hero comics anymore, I still love a humorous hero book, and I had to pick this one up. It was clearly good review material, at the very least. Having read it, I'm still not quite sure whether it was a good comic, but it was certainly a memorable comic.

This comic is the standard 32 pages, but it doesn't waste time with a lot of huge splash panels. Each page is jam-packed with story, and as such it ended up feeling a lot longer than it actually was. You're getting a lot of bang for your buck! The first "session" covers the life of a former sidekick named Attaboy, who is now your average 23 year old bum who did poorly in high school, works at a mini-mart, and has no life. He's obsessed with a popular 80s television show that he never watched as a child, due to being a busy sidekick. He's aimless and rather pathetic. In fact, we probably all know someone like him.

I could give you more details about the story, but if that interests you, it's best that you read it yourself. The story is well-written and the characters are believable. The story is neatly wrapped up in a single issue, leaving us ready for Session II- The Inglorious Grievance of The Gay Avenger.

The art in this comic is very, very strange. Well, not the art itself, which in some ways reminds me of Mahfood, but mainly the fact that the entire comic is printed in black, white, and... yellow??? For the first few pages I found the odd shade of goldenrod quite distracting, but as I got into the story, I no longer noticed it at all.

Heroes Anonymous shows the potential to be an amusing limited series, and I think limiting to an initial run of six issues was a wise decision on the part of the creators.

    Kitsune Tales
    Published by Amaze Ink
    Written by Woodrow Phoenix
    Drawn by Andi Watson (yay!)

I always keep my eye out for new comics by Andi Watson, but even if his name hadn't been on the cover, I would have picked up Kitsune Tales. I am a junky for mythology and folklore, and just about any comic drawing from that source material has to come home with me.

Kitsune Tales is a story which Woodrow Phoenix wrote inspired by the Kitsune character from Andi Watson's Skeleton Key comic series. However, this story is set far into Kitsune's past, and can be enjoyed by anyone who has never read Skeleton Key (poor, deprived people that you are), as it has nothing to do with that fine comic.

In this story, Kitsune goes up against an evil, gluttonous giant/demon/monster which has been eating the children of a group of diminutive people (some sort of faerie or goblin?). It's a rather silly story, with some action, some magic, and Kitsune swallowing a pig's head whole. I suspect that in addition to being a fox-spirit, she may be part snake . . . yikes!

I found myself a bit dissapointed with the art, which seemed somewhat sketchy. I still miss Watson's art from the earliest issues of Skeleton Key, though many people seem to prefer the newer style. To each their own, I suppose. The art in no way detracts from the story.

In short, this comic would be a good buy for fans of either contributor and myth/lore addicts like myself, but will probably hold little interest for the more mainstream comic audience.


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Review Copyright © 2003 By AJ Reardon

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