The Holiday season seems to beget movies like crazy, and while far too many are at best forgettable (at worst, regrettable), there are some good ones out there that I truly enjoy over and over.
How The Grinch Stole Christmas. Not the live action remake, but the Chuck Jones cartoon from the 1960s. I could close my eyes and just listen to Boris Karloff read the incredible Seuss poetry, but coupled with Jones' animated interpretations of the Seussian characters, it's a gem.
A Charlie Brown Christmas. Another gem from the sixties, and it shares a solid theme with the Grinch, that Christmas isn't really about the stuff, and that the true joy isn't in the commercialized crap, but in looking past all that to the real spirit of the season.
The Ghosts of Christmas Eve. This is the DVD production of one of Trans-Siberian Orchestra's concert stories. If you can't make it to a TSO concert, this is a good way to get a feel for their music and the way they tell the story. That it's also a solid story with a good message is a bonus.
A Christmas Carol. This is actually a three-fold listing, because I have three favorite versions of the classic Dickens story. The oldest of the three is "Scrooge," a musical adaptation starring Albert Finney. I saw it in the theater as a boy, and have loved it ever since. The second is the 1984 film version starring George C. Scott. This is, IMNSHO, the best portrayal of Ebenezer Scrooge I have ever seen, for Scott plays the old miser with an acerbic humor intact that makes the character far more believably human. I've seen loads of "played the same old way" Scrooges that don't stand out from each other. This one shines. The third is the Muppet Christmas Carol, just because I love the Muppets, and enjoy their take on classic stories.
The Bishop's Wife. This monochromatic film from 1948, starring Cary Grant, David Niven, and Loretta Young, is an oft-overlooked holiday treasure. Though sixty years old, the themes and concerns of the characters in the story closely parallel those of families in 2009, and the message is as applicable today as in 1948. The 1996 remake by Penny Marshall was okay, but it pales in comparison to the original (as do most remakes of classics).
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