Talking 'Bout My Generation X

by Jason Bourgeois

Welcome all to what will hopefully be a monthly article, deadlines willing, of my opinions of the Marvel titles known collectively as the X-Books. These articles will vary from what I think is currently being done the right way, what could be done better, what is totally wrong with the books, where things have gone wrong in the past, and other ideas. On occasion, I’ll look back and just do an examination of some of my favorite storylines from the past, or if there is one, the present.

The various X-Titles at present include Uncanny X-Men, X-Men, Generation X, Excalibur, X-Factor, Wolverine, Cable, X-Man, X-Men Unlimited, and depending on who you ask, Deadpool and Alpha Flight.

Too start off, I’d like to look at the sad state that Generation X has fallen into. I am far from, co-creator and original writer of Gen X, Scott Lobdell’s biggest fan. But his idea, while not original, was a breath of fresh air. A school of young mutants, training to control their powers and fit into society. Some of them with aspirations to become X-Men one day.

Somewhere, the idea went astray. The first batch of issues were quite well done. But various crossovers intruded, interrupting the flow of the book, the original inker left the series, and the art degraded, resulting in a great loss in quality. Them Scott Lobdell, and the Chris Bachalo, Gen X’s other creator, and penciller for the series, left for other projects. Since then, we have had fill-in artists, with terry Dodson finally becoming the regular penciller with issue 38, and some fill-in writers as well, with Larry Hama, former writer for Wolverine, taking over full time with issue 33.

Since then, Hama has been using characters and plotlines he started over in Wolverine, trying to tie them up, and giving minimal attention to the various dangling plotlines that Lobdell left in Gen X. The art up until Terry Dodson’s arrival was childish at best, as was the story. With ‘Alice in Wonderland’ overtones, and goofy cartoonish animals, the book has become something more geared for very young children.

The current storyline is finally nearing its conclusion, and with good art, and the promise of tying up one of the series longest running plotlines, there is hope for the future. I’ll reserve my judgment until I see it.


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Copyright © 1998 Jason M. Bourgeois

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